Hosho Paper Pad, 9"x12", 48 Sheets with Deckle Edges, Off-White (6H)

Thin, fabric type hand feel, flexible, and quite resistant. I got it for ink marbling (the name eludes me right now...) as recommended, and it works great. When you drop the paper on the water, it soaks up ink and liquid super fast, going translucent - initially I was worried the paper might be too saturated and tear or something, but it was perfect. It also works really well for gelli prints, and I personally prefer it than some of the other typical recommendations for that. I'm not a gelli expert, just a dabble, but I find that with thin paint layers, this paper absorbed relatively fast and all my prints came up clean, which was really nice. (yes my ink prints are bad and tiny squarea, this was me trying to learn)

Yasutomo Hosho Paper has become my trusted companion in the mesmerizing art of Suminagashi water marbling. It has proven itself to be the perfect canvas for my creative experiments. What sets this paper apart is its exceptional quality and versatility. Its smooth texture allows the Suminagashi inks to spread effortlessly, creating captivating patterns that seem to dance on the surface. The absorbency of the paper is just right, ensuring that the inks blend beautifully while maintaining their vibrant hues. I am truly impressed by the durability of Yasutomo Hosho Paper. Even when subjected to the delicate process of Suminagashi, it holds up remarkably well. The paper resists tearing or wrinkling, allowing me to focus on my artistic expression without worrying about the paper's integrity. The size of each sheet is ideal for my creative endeavors, providing ample space to explore various patterns and designs. I appreciate the thickness of the paper, which adds a touch of elegance and substance to the final artworks. Whether I'm using traditional Suminagashi techniques or experimenting with my own variations, Yasutomo Hosho Paper consistently delivers exceptional results. The colors remain vivid, and the intricate details of each pattern are beautifully preserved. As an artist, I value environmentally friendly materials, and this paper aligns perfectly with my values. It is crafted using sustainable methods, making it a responsible choice for both my artistic endeavors and the planet. If you're passionate about Suminagashi or looking to explore the captivating world of water marbling, Yasutomo Hosho Paper is an absolute must-have. Its exceptional quality, durability, and versatility make it the perfect canvas to bring your creative visions to life. Choose Yasutomo Hosho Paper and unlock a realm of endless possibilities in your Suminagashi creations. Let your imagination flow freely and watch as this paper becomes a gateway to captivating and mesmerizing artworks.

Perfect for gel printing. Interesting texture, smooth on one side, and a soft-like, almost velvety feeling on the other. A bargain at 48 sheets. Not sure why they didn’t round up to 50, but that’s ok!

This is really nice paper that’s the perfect weight and finish for suminagashi. The problem is that it was packed in an envelope without anything to stabilize it, so 1/3 of the pages were bent. Lame, Amazon! And sadly, a repeat experience when ordering books and paper. It’s not that hard to sandwich a book between pieces of cardboard before shipping.

I like this paper for my Gelli plate but I didn’t know it would have a plastiky surface on the back side.

I use my gelatin plates daily, and this rice paper is my absolute favorite. It's a little thicker than another brand I also use, and I like that this has slightly more weight to it. It's still a very thin and lightweight paper, but it's not translucent like some other rice papers. Due to this I can use this particular rice paper as both a standalone monoprint, or cut/tear it and use for collage. It has a smooth side and rough side. I use the smooth side, and it picks up the paint incredibly well. I often use masks or stencils with intricate details and this rice paper can easily get into all those tiny nooks and crannies. When I'm using it by itself I can add layer after layer of paint without worrying that it will tear or buckle. Sometimes I create my layers through multiple pulls, while other times I'll create the layers on my plate and pull them all off at once. This paper can handle both techniques well. There have been times when I built multiple layers on my plate and then left the rice paper on my plate overnight. Even after being there for 6-8 hours it still lifts beautifully without tearing. When I do use it for collage it cuts easily without tearing. I use either my Gingher 5" scissors, or my Fiskars 18mm snapoff blade utility knife. I'm able to cut small areas easily without worrying it'll rip (I always make sure I'm working with a sharp blade which is why I like the snap off blades). Out of all the paper I use this is the one I reach for most often. If you're looking for a rice paper that will become translucent when using for collage and adding matte, gloss, or satin medium I would suggest a thinner rice paper. While this one may not appear like it's almost melting into the background like a thinner one would it still collages seamlessly. I use it as a piece on its own, or cut it down and adhere to a blank card, or as collage elements. The price is also great too (in my opinion). I would say it's very similar in weight and feel to the Art Alternatives rice paper (which I also like), but at about half the cost.

I’m just using diluted ink for quick early “ before breakfast “ sketches. Great fun experimenting with different brushes etc. getting my photos off Facebook camera photos pages it’s a lot less messy than charcoal. I’ll never be one of those great sumi calligraphy artists or even sell anything but so what.

Nice quality rice paper- use it for gel plate.

Correspond pleinement à ce que j'en attendais.

Ideal for gelli plate printing

El producto cumple muy bien mis expectativas, lo uso para impresiones en gel. Lo que está pésimo es que lo mandan en un empaque muy endeble y llega algo maltratado de las esquinas, deben corregir esto.

Beautiful paper, good size and great for gelli plate monoprinting and relief printmaking like linocuts or woodcut. The paper absorbs the ink well and you can see all the details. Highly recommended

Works incredibly well on gelli plate. Just remember to allow lots of time to dry before lifting.