undefined

Product Description ------------------- The exciting adventure of the day we make contact with life beyond Earth comes to the screen with a profound sense of wonder and a dazzling visual sweep that extends to the outer reaches of space and the imagination. Jodie Foster is astronomer Ellie Arroway, a woman of science. Matthew McConnaughey is religious scholar Palmer Joss, a man of faith. They're site ends of a spectrum - and sudden players on the world stage as the countdown to humanity's greatest journey begins. Powerfully, thrillingly and emotionally, Contact connects. .co.uk Review ------------- The opening and closing moments of Robert (Forrest Gump) Zemeckis's Contact astonish viewers with the sort of breathtaking conceptual imagery one hardly ever sees in movies these day--each is an expression of the heroine's lifelong quest (both spiritual and scientific) to explore the meaning of human existence through contact with extraterrestrial life. The movie begins by soaring far out into space, then returns dizzyingly to earth until all the stars in the heavens condense into the sparkle in one little girl's eye. It ends with that same girl as an adult (Jodie Foster)--her search having taken her to places beyond her imagination--turning her gaze inward and seeing the universe in a handful of sand. Contact traces the journey between those two visual epiphanies. Based on Carl Sagan's novel, Contact is exceptionally thoughtful and provocative for a big-budget Hollywood science fiction picture, with elements that recall everything from 2001 to The Right Stuff. Foster's solid performance (and some really incredible alien hardware) keep viewers interested, even when the story skips and meanders, or when the halo around the golden locks of rising-star-of-a-different-kind Matthew McConaughey (as the pure-Hollywood-hokum love interest)reaches Milky Way-level wattage. Ambitious, ambiguous, pretentious, unpredictable--Contact is all of these things and more. Much of it remains open to speculation and interpretation but whatever conclusions one eventually draws, Contactdeserves re as a rare piece of big-budget studio film making on a personal scale. --Jim Emerson