---
product_id: 48051706
title: "Behringer U-PHORIA UMC1820 USB Audio Interface with MIDAS Preamps, 18x20 I/O, and ADAT Expansion"
brand: "behringer"
price: "2873 kr"
currency: DKK
in_stock: true
reviews_count: 8
category: "Behringer"
url: https://www.desertcart.dk/products/48051706-behringer-u-phoria-umc1820-usb-audio-interface-with-midas-preamps
store_origin: DK
region: Denmark
---

# 24-bit/96kHz studio converters 18x20 I/O + ADAT expandability 8 MIDAS mic preamps Behringer U-PHORIA UMC1820 USB Audio Interface with MIDAS Preamps, 18x20 I/O, and ADAT Expansion

**Brand:** behringer
**Price:** 2873 kr
**Availability:** ✅ In Stock

## Summary

> 🎧 Elevate your sound game — pro studio quality, right on your desk!

## Quick Answers

- **What is this?** Behringer U-PHORIA UMC1820 USB Audio Interface with MIDAS Preamps, 18x20 I/O, and ADAT Expansion by behringer
- **How much does it cost?** 2873 kr with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.dk](https://www.desertcart.dk/products/48051706-behringer-u-phoria-umc1820-usb-audio-interface-with-midas-preamps)

## Best For

- behringer enthusiasts

## Why This Product

- Trusted behringer brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Massive I/O Flexibility:** 18 inputs and 20 outputs including MIDI, ADAT, and S/PDIF to future-proof your recording setup.
- • **Crystal-Clear MIDAS Preamps:** 8 ultra-transparent mic preamps with +48V phantom power for pristine vocal and instrument capture.
- • **Expandable ADAT Connectivity:** Scale up to 16 channels by adding external preamps—perfect for full band or multi-mic studio rigs.
- • **Zero-Latency Dual Monitoring:** Two headphone outputs with independent volume controls for flawless, lag-free tracking sessions.
- • **Studio-Grade Audio Resolution:** High-fidelity 24-bit/96kHz converters ensure every detail of your sound is captured with surgical precision.

## Overview

The Behringer U-PHORIA UMC1820 is a powerhouse USB audio interface featuring 8 MIDAS-designed mic preamps, 24-bit/96kHz converters, and comprehensive 18x20 I/O including MIDI and ADAT expansion. Designed for professional-grade recording and monitoring, it offers zero-latency dual headphone outputs and scalable ADAT connectivity, making it ideal for millennial managers and creatives who demand studio-quality sound with versatile connectivity in a compact, portable form.

## Description

Capture studio-quality audio with this 18-in, 20-out USB interface featuring MIDAS-designed mic preamps, 24-bit/96kHz converters, and expandable ADAT connectivity.

Review: Plug in & go - Was given 50 vinyl records, but the deal was I had to convert them to digital mp3. Took a while, but very happy with results. Easy to set up & use. I downloaded the recommended Audacity app and away I went. Great little device & great price too.
Review: The Behringer UCA202 U Control simply gives great performance for the money - PS - 28 April 2014. In some of the reviews that I have read some of the correspondents have reported difficulty getting the Behringer UCA202 U Control to record in stereo and some are having difficulty adjusting the volume levels. Sometimes you have to adjust the sound settings in the control panel on a laptop or PC. You have to tell your computer to record in two channels instead of one for stereo. Go into the sounds window and select " Microphone 2 USB codec" with the device plugged in to a USB connexion. Select recording and advanced and set the device to 2 channel CD quality. I use Audacity software. You need to check that Audacity is recording in two channels for stereo recording rather than one channel for mono. You go into "Preferences" which is in the "Edit" menu and then set the USB recording device to stereo in the recording box. If you are having problems setting up the recording volumes then Audacity can be adjusted with the microphone slider which is on the tool bar. This works fine for me with a line level output from my amplifier - I do not use the phono pre-amp from my turntable kit when I record an LP or single. If this fails (or where you do not have a line output from your amp) you could try the headphone output which is usually located on the front of the amplifier. If you turn the amplifier volume control right down then it will attenuate the output level. Using a combination of the Audacity microphone slider and the headphone output you should be able to adjust the volume of the recording level to make sure the recording is loud enough but does not distort. In the view menu you can set Audacity to "show" clipping" . This will display a vertical red line on sections of the recording where the volume levels are too high and therefore the music will sound distorted - this is a very useful tool. I have never used a MAC PC but I would think that it has similar methods of controlling whether you record in stereo or not by using a sound control feature. I would guess that other types of recording software similar to Audacity need to be set up to record and playback in stereo or mono according to your choice. If the above does not work then you are faced with the possibility that some of your equipment is not working correctly from a physical point of view. You could check the connections have been fitted correctly or use alternative equipment to find out what has gone wrong. When set up correctly this product works really well; I am sure you will not be disappointed. Main text: I bought this brilliant device to "digitise" old LPs, which I buy in second hand shops, and archive old audio cassettes before they self destruct. I read all the reviews and I agree with most of them and decided to buy it even though it is of flimsy construction. It is not going to be used very often and I am careful with equipment so it should last years. It literally took me ten minutes to plug it into the line outputs of my amplifier and connect the device to a laptop, then cue up a Beatles 45 and digitise it with Audacity. Audacity is brilliant in my opinion and there is plenty of help text and Wikipedia information to get you going. I deleted the the Beatles 45 file as I just used it to test the recording levels. Next up was a Shadows LP "Rock on with the Shadows in Mono". Yes, you can buy this on CD but sometimes I like to play an ageing LP for old time's sake. I was pleasantly surprised with the results. I did not use Audacity to remove any surface noise from the record or clicks or pops; Hank's twanging drowns them out anyway. I played the digital recording back through the same amplifier and neither my wife nor I could hear any difference from the original: it sounded the same warts and all. At the end of the "first side" I felt compelled to jump up and turn the laptop er, record over. What more can I say about the sound quality? This was great stuff - the Shadows back in their 1960's glory, and you cannot damage the needle when you jive. One of the reviewers has complained about the the inability of the analogue converter to sample at 24 bit 96 KHz (24/96) as it is limited to 16 bit 48 KHz. This might affect you if you are mastering music and you want to keep the noise floor down when mixing lots of "takes". So, I take the point. For me, digitising old recordings at 16/44.1 or at red book CD standard is good enough. I fail to see how using a 24/96 sampling rate could improve the sound quality as I am only doing one "take". If you are only going to use this converter to digitise your records you can save yourself money and some disk space by buying this device. I have got plenty of external DACs, so I do not need to use this device for playback from a laptop or PC but I tested it just the same. The Toslink optical output works really well and so do the line outputs. The headphone amplifier is not so good but it is sufficient for my purposes. If you are on the road this device will probably perform better than your laptop's sound card or headphone output. The Behringer does not perform as well as the rinky dink DAC that I have got in my main HI-FI and I could not expect it to. But, it performs well compared to my other portable DACs. There is no Toslink input facility. Pros :- You can use a laptop for line output sources. You no longer have to use the line inputs of a desktop PC. You can connect it to a USB port on the front rather than fiddle about with connecting line outputs to the input connexions on the back of the PC. This is especially useful if your kit is under a desk. You can take your laptop to your HI-FI equipment rather than the other way round. There is no need to unplug your turntable or cassette player etc. and then plug it all back in again. It is small, very portable and very versatile - an ADC and DAC in one box! Cons: None really unless you are going to subject the device to hard and continuous use. In conclusion: Five stars for sonic performance and overall convenience; it is simply brilliant . But, it gets only three stars for build quality. The USB deck can now be given away.

## Features

- MIDAS-Designed Mic Preamps: 8 transparent mic preamps with +48V phantom power for professional-grade recordings.
- 24-Bit/96 kHz Audio Quality: High-resolution converters deliver studio-grade sound for precise audio capture.
- Comprehensive Connectivity: 18 inputs and 20 outputs, including MIDI, ADAT, and S/PDIF, for versatile recording setups.
- Zero-Latency Monitoring: Dual headphone outputs with independent level controls for real-time, lag-free monitoring.
- Expandable via ADAT: Connect additional preamps for up to 16 channels, ideal for multi-mic setups like full bands.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B01ET9GCGS |
| Best Sellers Rank | 53 in Musical Instruments & DJ ( See Top 100 in Musical Instruments & DJ ) 3 in Computer Audio Interfaces |
| Colour | multicoloured |
| Colour Screen | No |
| Compatible Devices | Devices with USB port, such as desktops, laptops and some digital audio devices |
| Connector | / |
| Customer Reviews | 4.4 4.4 out of 5 stars (43,903) |
| Date First Available | 26 April 2016 |
| Hardware Interface | USB |
| Item Weight | 1.8 kg |
| Item model number | UMC1820 |
| Operating System | Windows, macOS |
| Product Dimensions | 48.31 x 13 x 4.6 cm; 1.8 kg |
| Scale Length | inches |
| Size | Einheitsgröße |
| Supported Software | Avid Pro Tools, Ableton Live, Steinberg Cubase |

## Product Details

- **Brand:** Behringer
- **Compatible devices:** Devices with USB port, such as desktops, laptops and some digital audio devices
- **Connectivity technology:** USB
- **Number of channels:** 38
- **Supported software:** Avid Pro Tools, Ableton Live, Steinberg Cubase

## Images

![Behringer U-PHORIA UMC1820 USB Audio Interface with MIDAS Preamps, 18x20 I/O, and ADAT Expansion - Image 1](https://m.media-amazon.com/images/I/51NrnUCDkIL.jpg)
![Behringer U-PHORIA UMC1820 USB Audio Interface with MIDAS Preamps, 18x20 I/O, and ADAT Expansion - Image 2](https://m.media-amazon.com/images/I/21D6690esjL.jpg)
![Behringer U-PHORIA UMC1820 USB Audio Interface with MIDAS Preamps, 18x20 I/O, and ADAT Expansion - Image 3](https://m.media-amazon.com/images/I/61a21QKqwML.jpg)

## Available Options

This product comes in different **Configuration, Pattern, Style** options.

## Questions & Answers

**Q: Is it really 1 - 2 months dispatch? If so, why even bother? <_<**
A: I got mine in about a week.

**Q: How many channels/tracks will this record simultaneously in a DAW, please?**
A: You can record eight tracks simultaneously with this. You can buy another behringer pre-amp and connect via TOSLINK to boost it up to 16.

**Q: Can 1/4 inch jack leads fit into this product? Or is it not designed for recording electric guitars/basses?**
A: This Q&A is not for the UMC1820. For info, the UMC1820 has 8 combination XLR/TRS inputs.

**Q: Does this work on macos high sierra?**
A: Yes.  Any version of mac-os from 10.6 (snow leopard) is supported.  I have one of these, don't regret it for a minute.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Plug in & go
*by S***N on 4 January 2026*

Was given 50 vinyl records, but the deal was I had to convert them to digital mp3. Took a while, but very happy with results. Easy to set up & use. I downloaded the recommended Audacity app and away I went. Great little device & great price too.

### ⭐⭐⭐⭐⭐ The Behringer UCA202 U Control simply gives great performance for the money
*by G***S on 8 April 2014*

PS - 28 April 2014. In some of the reviews that I have read some of the correspondents have reported difficulty getting the Behringer UCA202 U Control to record in stereo and some are having difficulty adjusting the volume levels. Sometimes you have to adjust the sound settings in the control panel on a laptop or PC. You have to tell your computer to record in two channels instead of one for stereo. Go into the sounds window and select " Microphone 2 USB codec" with the device plugged in to a USB connexion. Select recording and advanced and set the device to 2 channel CD quality. I use Audacity software. You need to check that Audacity is recording in two channels for stereo recording rather than one channel for mono. You go into "Preferences" which is in the "Edit" menu and then set the USB recording device to stereo in the recording box. If you are having problems setting up the recording volumes then Audacity can be adjusted with the microphone slider which is on the tool bar. This works fine for me with a line level output from my amplifier - I do not use the phono pre-amp from my turntable kit when I record an LP or single. If this fails (or where you do not have a line output from your amp) you could try the headphone output which is usually located on the front of the amplifier. If you turn the amplifier volume control right down then it will attenuate the output level. Using a combination of the Audacity microphone slider and the headphone output you should be able to adjust the volume of the recording level to make sure the recording is loud enough but does not distort. In the view menu you can set Audacity to "show" clipping" . This will display a vertical red line on sections of the recording where the volume levels are too high and therefore the music will sound distorted - this is a very useful tool. I have never used a MAC PC but I would think that it has similar methods of controlling whether you record in stereo or not by using a sound control feature. I would guess that other types of recording software similar to Audacity need to be set up to record and playback in stereo or mono according to your choice. If the above does not work then you are faced with the possibility that some of your equipment is not working correctly from a physical point of view. You could check the connections have been fitted correctly or use alternative equipment to find out what has gone wrong. When set up correctly this product works really well; I am sure you will not be disappointed. Main text: I bought this brilliant device to "digitise" old LPs, which I buy in second hand shops, and archive old audio cassettes before they self destruct. I read all the reviews and I agree with most of them and decided to buy it even though it is of flimsy construction. It is not going to be used very often and I am careful with equipment so it should last years. It literally took me ten minutes to plug it into the line outputs of my amplifier and connect the device to a laptop, then cue up a Beatles 45 and digitise it with Audacity. Audacity is brilliant in my opinion and there is plenty of help text and Wikipedia information to get you going. I deleted the the Beatles 45 file as I just used it to test the recording levels. Next up was a Shadows LP "Rock on with the Shadows in Mono". Yes, you can buy this on CD but sometimes I like to play an ageing LP for old time's sake. I was pleasantly surprised with the results. I did not use Audacity to remove any surface noise from the record or clicks or pops; Hank's twanging drowns them out anyway. I played the digital recording back through the same amplifier and neither my wife nor I could hear any difference from the original: it sounded the same warts and all. At the end of the "first side" I felt compelled to jump up and turn the laptop er, record over. What more can I say about the sound quality? This was great stuff - the Shadows back in their 1960's glory, and you cannot damage the needle when you jive. One of the reviewers has complained about the the inability of the analogue converter to sample at 24 bit 96 KHz (24/96) as it is limited to 16 bit 48 KHz. This might affect you if you are mastering music and you want to keep the noise floor down when mixing lots of "takes". So, I take the point. For me, digitising old recordings at 16/44.1 or at red book CD standard is good enough. I fail to see how using a 24/96 sampling rate could improve the sound quality as I am only doing one "take". If you are only going to use this converter to digitise your records you can save yourself money and some disk space by buying this device. I have got plenty of external DACs, so I do not need to use this device for playback from a laptop or PC but I tested it just the same. The Toslink optical output works really well and so do the line outputs. The headphone amplifier is not so good but it is sufficient for my purposes. If you are on the road this device will probably perform better than your laptop's sound card or headphone output. The Behringer does not perform as well as the rinky dink DAC that I have got in my main HI-FI and I could not expect it to. But, it performs well compared to my other portable DACs. There is no Toslink input facility. Pros :- You can use a laptop for line output sources. You no longer have to use the line inputs of a desktop PC. You can connect it to a USB port on the front rather than fiddle about with connecting line outputs to the input connexions on the back of the PC. This is especially useful if your kit is under a desk. You can take your laptop to your HI-FI equipment rather than the other way round. There is no need to unplug your turntable or cassette player etc. and then plug it all back in again. It is small, very portable and very versatile - an ADC and DAC in one box! Cons: None really unless you are going to subject the device to hard and continuous use. In conclusion: Five stars for sonic performance and overall convenience; it is simply brilliant . But, it gets only three stars for build quality. The USB deck can now be given away.

### ⭐⭐⭐⭐ Good for the money but not quite perfect.
*by M***O on 30 October 2015*

I have come back to PC music production after a while away and realised that Realtek chipsets on most motherboards, although better than they used to be,can't quite cut it, particularly in the latency department. I was loathed to spend £50+ on a proper pro sound card while I was tentatively returning to this hobby so this Behringer UCA202 seemed perfect. It arrived on time and well packed and straight out of the box its smaller than I expected, about the size of a cigarette packet. I plugged mine in a proper USB port (not a hub) and immediately installed and worked (Windows 8.1 and 10), no issues. A little light on the top tells you its on and you get the glow from the optical out too. I fed my 10 channel WharfdalePro mixer into it and connected it to the line in on my Logitech Z speakers. Not exactly a pro setup but entry level music making kit. I tested it with Cakewalk and Ableton and there was a noticeable improvement in latency when feeding stuff in and through the PC i.e. guitar and mic effects etc. Not 0 latency, in fact on my set-up probably still 10-20ms, I used the ASIO4ALL drivers which have mixed success with most people but they reported something like 11ms via Cakewalk. Previously I could achieve similar latency with my Realtek card but it would become unstable and break up and need resetting every 20mins. This didn't happen with the Behringer, it works flawlessly for hours on end and basically it does what I bought it for. Furthermore there's a little switch for monitoring directly so if you just want to echo the in to the out with 0 latency, you can do that but clearly it won't be going though any effects etc on the PC. I also played music from Google Play though the unit and I the is a noticeable improvement in clarity, so much so that I can actually hear stuff in the songs that I hadn't heard before and that is usually the mark of an great audio equipment. I listened through my Logitech speakers and some mid range over ear Sony headphones and in both cases the music was balanced and defined. If you're buying this only for music playback and don't care about music production, as most people will, its worth it for that alone. OK, so why the four stars...Well, I used this on headphones and it was superb, when I connected the line out to the Z speakers there was a noticeable whine, digital interference whine that alters when you move the mouse pointer or change stuff on the screen. That is very far from pro audio or high quality, it doesn't happen on my built in Realtek where I would expect more interference. Now this COULD be the crap cable I used or the positioning, I haven't tested it on ANYTHING else yet. I plan to test it on my proper AV unit in the lounge so I will report back if I notice any difference.

## Frequently Bought Together

- Behringer U-Phoria UMC1820 USB Audio Interface (UMC1820d1)
- Behringer ADA8200 Microphone Preamp

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*Product available on Desertcart Denmark*
*Store origin: DK*
*Last updated: 2026-02-24*