---
product_id: 360412247
title: "512 Audio 512-LLT Limelight Dynamic Vocal XLR Microphone featuring a Hypercardioid Polar Pattern, 60.8 mm*167.5 mm*60.8 mm"
brand: "stageevolution"
price: "1311 kr"
currency: DKK
in_stock: true
reviews_count: 1
url: https://www.desertcart.dk/products/360412247-512-audio-512-llt-limelight-dynamic-vocal-xlr-microphone-featuring
store_origin: DK
region: Denmark
---

# USB-C connectivity 42 dB sensitivity 48 kHz frequency response 512 Audio 512-LLT Limelight Dynamic Vocal XLR Microphone featuring a Hypercardioid Polar Pattern, 60.8 mm*167.5 mm*60.8 mm

**Brand:** stageevolution
**Price:** 1311 kr
**Availability:** ✅ In Stock

## Summary

> 🎶 Elevate Your Sound Game with the Limelight Microphone!

## Quick Answers

- **What is this?** 512 Audio 512-LLT Limelight Dynamic Vocal XLR Microphone featuring a Hypercardioid Polar Pattern, 60.8 mm*167.5 mm*60.8 mm by stageevolution
- **How much does it cost?** 1311 kr with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.dk](https://www.desertcart.dk/products/360412247-512-audio-512-llt-limelight-dynamic-vocal-xlr-microphone-featuring)

## Best For

- stageevolution enthusiasts

## Why This Product

- Trusted stageevolution brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Precision Focus:** Hypercardioid pattern ensures crystal-clear sound capture.
- • **Real-Time Monitoring:** Adjust and perfect your recordings with zero latency.
- • **Complete Recording Kit:** Everything you need to start recording right away.
- • **Unmatched Sound Quality:** Experience studio-grade audio for all your projects.
- • **Plug-and-Play Simplicity:** Seamless compatibility with Windows and Mac systems.

## Overview

The 512 Audio 512-LLT Limelight Dynamic Vocal XLR Microphone is designed for professionals seeking exceptional audio quality. With a hypercardioid polar pattern, it minimizes background noise, ensuring your voice is the star of the show. Its USB-C connectivity makes it compatible with both Windows and Mac systems, while the included accessories provide a complete recording setup. Weighing just 381g and featuring a frequency response of 48 kHz, this microphone is perfect for recording, podcasting, and streaming.

## Description

512 Audio 512-LLT Limelight Dynamic Vocal XLR Microphone featuring a Hypercardioid Polar Pattern, 60.8 mm*167.5 mm*60.8 mm

## Features

- Excellent sound quality: The USB large diaphragm condenser microphone offers outstanding audio quality and is perfect for professional recording, podcasting and streaming.
- Direct Monitoring: The adjustable headphone output allows real-time monitoring of your recordings, without delays or latency, for maximum control over the sound.
- Precise cardioid pattern: The cardioid pattern minimises background noise and focuses precisely on the desired sound source, enabling clear and professional recordings.
- Versatile connectivity: The USB condenser microphone is compatible with Windows 10, Mac OS (Mojave or higher) and offers easy plug-and-play connection via USB-C.
- Complete recording set: The scope of delivery includes the USB large diaphragm condenser microphone, a stable table stand, an elastic holder, an articulated holder and a USB-C to USB-A cable.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Audio sensitivity | 42 dB |
| Item weight | 381 g |
| Impedance | 600 Ohm |
| Microphone form factor | Handheld |
| Item dimensions L x W x H | 16.7 x 6.1 x 6.1 centimetres |
| Power source | Battery Powered |
| Number of channels | 1 |
| Frequency range | 20 hz 20 khz |
| Frequency response | 48 KHz |
| Manufacturer | 512 Audio |
| Product Dimensions | 16.75 x 6.08 x 6.08 cm; 381.02 g |
| Item model number | 512-LLT |
| Item Weight | 381 g |

## Product Details

- **Recommended uses for product:** Speech, Streaming, Voice Recording
- **Brand:** STAGEEVOLUTION
- **Model name:** Limelight
- **Connectivity technology:** USB
- **Connector type:** XLR
- **Special feature:** Stand
- **Compatible devices:** Camera
- **Colour:** Black
- **Included components:** Tripod Stand
- **Polar pattern:** Unidirectional

## Images

![512 Audio 512-LLT Limelight Dynamic Vocal XLR Microphone featuring a Hypercardioid Polar Pattern, 60.8 mm*167.5 mm*60.8 mm - Image 1](https://m.media-amazon.com/images/I/71IcEofGdmL.jpg)
![512 Audio 512-LLT Limelight Dynamic Vocal XLR Microphone featuring a Hypercardioid Polar Pattern, 60.8 mm*167.5 mm*60.8 mm - Image 2](https://m.media-amazon.com/images/I/81dpwiB3ZyL.jpg)

## Questions & Answers

**Q: What shock mount works with this mic?**
A: Hi There,

You can use the ChromLives Shock Mount. This will allow for up to a 54mm in diameter mic. The Limelight is 50mm in diameter. You can find the shock mount here: https://www.amazon.com/Microphone-ChromLives-Holder-AT2020-Vibration/dp/B08DXSFC42/ref=pd_bp_sim_b2b_5/139-5634212-8894309?pd_rd_w=90m6d&pf_rd_p=e22d30b7-ac2c-4c4a-ab5b-b4a240f55a9d&pf_rd_r=0SRN8JD2GTTBWD0NC3YE&pd_rd_r=f2b1be80-db54-4c9e-a253-4d3deb142cf4&pd_rd_wg=kfWTM&pd_rd_i=B08DXSFC42&psc=1

## Customer Reviews

### ⭐⭐⭐⭐⭐ A good alternative to the usual dynamics.
*by D***Y on 11 October 2022*

I’m actually quite surprised by the tonal quality of this microphone. I have a number of dynamics, including a Shure SM7B, and have to say that the Limelight is a good alternative.The construction is quite light weight. I’m not sure how much of the mic body construction is alloy and plastic but it is light in weight compared to how it looks. This actually helps for cheaper boom arms and scissor stands. The mounting clip is high density plastic, which is absolutely no problem for the weight. The mount also has rubber that grips the mic.I’m not sure how well its construction would stand up over time if being moved about and remounted constantly. However, for a typical vlog/podcast setup where a dialogue mic is essentially set once and never moved. Then there will be absolutely no issues with wear and construction issues over time. That said, even an SM7B, which is a much heavier constructed microphone, doesn’t stand up well to being moved etc. and the 7B scratches very easily of your not careful.The tonal response is quite well balanced. It’s maybe not as thick at the bottom end compared to some dynamics but it does have some nice clarity in the mid and upper mid for dialogue. It actually has tonal characteristics similar to a condenser, as in, quite a clear response and not as muddy as typical low cost condenser.Off axis rejection is quite good and is definitely not a problem for typical dialogue such as podcasting or talking head shots for YouTube, which is how I have used it. I have quite a lively room and when the mic is in a close position, which it should be for dialogue, it manages to pick up more of my voice over the room acoustics than other similar dynamics.Acoustic/vibration rejection for the likes of bumps on tables, the mic and stand/boom isn’t so good. But I’d argue that you should be carful of such things anyway. It’s not too bad for noises off controllers, keyboards etc. when gaming etc. If you’re going mad banging things on tables, then no mic is going to be able to reject that type of acoustically transmitted noise anyway.As for plosives, it’s no worse than other similar mics. Although, you have to bear in mind that it does not come with any add on external pop filter. I’ve used the official RODE foam filter for the NT1/NT1a and it works really well when getting very close to the mic, with little impact on tonal response.The one big plus point about this mic for me is that it mounts right at the base on the mount for the XLR socket. This gives you a load of clearance to the front end of the mic and makes it much easier to position close to a face without any cumbersome shock mount getting in the way. It’s very similar to a RE20’s standard mounting position, which makes on camera framing much easier.The second big plus point is that its output isn’t as low as other similar dynamics. I connect this directly to my camcorder, a Sony FDR-AX100, via its 3.5mm mic socket and the output from the Limelight is easily high enough for the camera to pre-amp it without any noticeable noise gain. Using a typical USB audio interface or preamp with this mic is also easy and you don’t need any pre-gain such as a Fethead or Cloudlifter. Inherent noise is very low, as is usual with most dynamics.All in all it’s a very nice mic. Not heavy, has a nice overall tonal response, looks good on camera, easy to gain and stands up very well against similar low-ish end dynamics.It sounds nothing like a 7B or RE20 if you’re thinking along those lines but it also costs nowhere near either of those mics either. It sounds thinner by comparison, especially to the 7B but again, you’ve got to be realistic as to what you are paying.As for recommending it. When first released, at least here in the UK, I thought the price was a bit steep. However, it does seem to have taken a fairly healthy drop in price in recent times and at the current price @ £115 I’d say it’s definitely worth taking a look at it. However, like all microphones, it’s a very personal choice as the same mic will sound different with different voices and mic choices, especially for dialogue, are a very personal decision. None the less, I would recommend it at its current lower price.

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*Product available on Desertcart Denmark*
*Store origin: DK*
*Last updated: 2026-02-28*