---
product_id: 11913962
title: "The Gallery (New York Review Books Classics)"
brand: "john horne burnspaul fussell"
price: "402 kr"
currency: DKK
in_stock: true
reviews_count: 10
url: https://www.desertcart.dk/products/11913962-the-gallery-new-york-review-books-classics
store_origin: DK
region: Denmark
---

# The Gallery (New York Review Books Classics)

**Brand:** john horne burnspaul fussell
**Price:** 402 kr
**Availability:** ✅ In Stock

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- **What is this?** The Gallery (New York Review Books Classics) by john horne burnspaul fussell
- **How much does it cost?** 402 kr with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.dk](https://www.desertcart.dk/products/11913962-the-gallery-new-york-review-books-classics)

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## Description

The Gallery (New York Review Books Classics)

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## Customer Reviews

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    Superb
  

*by C***R on Reviewed in the United States on August 3, 2021*

An amazing novel. Insightful, moving, descriptive, disturbing, well written, provocative.  A gaze upon human nature during wartime, essentially during one month, April 1944.  You won’t be sorry you’ve read this masterful, sensitive work.

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    Stunning honesty about the best and worst in people
  

*by C***R on Reviewed in the United States on August 4, 2014*

John Horne Burns's The Gallery, first published in 1947, was a highly acclaimed first novel about WWIi, a war that launched a thousand novelists' careers. Unlike Mailer, Salinger, Michener, and Wouk, Burns was unable to turn his early success into a sustained literary output. His second novel, Lucifer with a Book (1949), is a roman a clef about Burns's experiences as a prep school teacher, by most accounts a bitter dishing of Burns's coworkers. The overwhelming success of The Gallery (Burns was on the cover of Time) can probably be attributed to several factors:  Burns's power of observation and his honest and compassionate depictions of his various uniquely flawed characters; his world-weary, if not outright cynical, take on war which may have appealed to the American public who had likely grown tired of newsreel patriotism; and the book's loose structure (nine "portrait" chapters interwoven with eight "promenade" chapters in which the reminiscences of an anonymous GI are recounted) freed the fledgling novelist from any obligation to create an entirely lucid, tightly integrated whole. Given Burns's penchant for opera and melodrama as attested by his biographer David Margolick (Dreadful, 2013), the book's loose structure may be the novel's saving grace. It is, after all, the story of lives touched by war. If the individual characters' stories had been integrated more forcibly the result would have been a depiction of community (much like what Carson McCullers conjures in The Heart Is a Lonely Hunter). Instead, Burns projects a world of profound disorder, non-sense, and alienation.Much has been made, and perhaps rightly so, of Burns's frank depictions of homosexuals in the military. Margolick's research and study of Burns's extensive correspondence proves that Burns was aware of the many discreet and indirect ways gays were able to connect with one another during a time when being homosexual was considered both criminal and pathological. That said, for me four " portraits" in the novel stood out. First, is that of Hal, an attractive second lieutenant whose general anomie and lack of faith in any kind of grounding principle evolves into full-blown paranoid schizophrenia. Then there's the portrait of Momma, the proprietress of a bar in Naples that catered to gay clientele (a bar equipped with mirrors into which Momma's customers could look with "a sort of reconnoitering restlessness"). Captain (later Major) Motes's story is given in the sixth portrait ("The Leaf"). Motes is a lazy, unimaginative but advancement-obsessed army bureaucrat in charge of a massive department responsible for reading and censoring all outgoing military correspondence. The homoerotic politics at play in this chapter are disturbing and seem to uncannily foretell what lay ahead for gay military personnel who transitioned into the State Department diplomatic work after the war. The eighth portrait ("Queen Penicillin") is ironically one of the most intimate and personal of Burns's portraits. It is the touching story of an anonymous GI who must undergo an extended treatment for syphilis. Though heterosexual himself, he is pursued by a sergeant who is attracted to him. In a lengthy scene Burns  can be said to be depicting a scenario that conservatives relentlessly warn against--the recruitment of innocent youths by seasoned and guileful homosexuals. But what the reader gets is not Zeus swooping down on Ganymede but one of the novel's few authentic movements toward friendship and a caring connection with another human being. The sergeant tells the GI just before the GI is about to leave the hospital, "You are different...I need a friend, you see. Being a dancer has given me an unreal view on life. I'm fed up with the arty boys. I want to know just one real person." Burns does give us opera and drama (and pathos), but it is neatly managed within the "portrait" chapters. These turbulent waters are constrained and channeled by the conversational and reflective "promenade" chapters. In these the recurring motif is a nostalgic and more distanced "I remember..." The GI narrator and his companions travel through strange new lands (ancient in fact, but "new" to them as Americans) discussing the many odd things they are seeing for the first time. They debate and quibble over many things (demonstrating the community-building potential of Democracy's freedom of speech); they are the imperfect but still-aborning conscience of the novel; they are the chorus to a drama that is neither tragic nor comic, but fully both.

### ⭐⭐⭐⭐ 4.0 out of 5 stars







  
  
    Great book, especially for its time
  

*by P***S on Reviewed in the United States on February 10, 2014*

Burns wrote a great book here, especially considering his time, born in 1916.  His character development is among the very best that I have read anyplace, in many years. In some stories with several characters, I am amazed how each person vividly came to life and is so differentiated.  True talent.  The settings of northern Africa and mainly around Naples during World War II were well-portrayed.  i know Naples and environs very well, and he did a great job here.  His portrayals of aspects of military life and the tedium of war are real.  There was also some humor, especially in all the various military sub-cultures of which he writes.It's tragic that he died so young and disillusioned, having succumbed to the bottle.  In many ways, a must read if you like gay literature,  wwII history,  and very good writing.

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*Product available on Desertcart Denmark*
*Store origin: DK*
*Last updated: 2026-02-24*